Where in the World?
A very pleasant place to spend two weeks – provided you get out of Kardamena. Sleepy fishing village by winter; drunken English resort by summer.
A very pleasant place to spend two weeks – provided you get out of Kardamena. Sleepy fishing village by winter; drunken English resort by summer.
All ready to pack. I have more books than bikinis and shoes put together so I am hoping my suitcase isn't going to be too heavy.
After merrily perusing the knickers in M&S, I went to the tills to pay for six pairs. As I approach the counter I note it seems strange to have a young lad on the cashdesk in the middle of lingerie.
Well, the British summer is back. Too cold without a jacket, too hot with one. Yesterday morning I went to the newsagents prepared. I did ponder who looked more ridiculous - the people struggling with their inside-out umbrellas at the bus stop or me in my walking boots and kag-in-a-bag (Millet's version of a pac-a-mac). Yes, okay, probably me but I am sure I was drier.
I spent at least six minutes with an Asian man sheltering under a sweet chestnut. He now knows rather more about English trees than he did before the downpour. He probably also thinks I'm mad. He too was going to the newsagents and he definitely said something about me in Bengali when we entered. I'm trying not to dwell too much on what.


One book that made you laugh:
One book that made you cry:
I cry at the news and when reading the newspaper but I honestly cannot remember a book making me cry. I'm sure I must have done at some point.
One book you wish you had written:
Some sort of social observation set in London. The trilogy Twenty Thousand Streets Under the Sky by Patrick Hamilton, Grub Street by George Gissing, the aforementioned Fowlers End, Mother London by Michael Moorcock, London Observed by Doris Lessing, the list goes on...
One book you wish had never been written:
at the time anything I was forced to read for English GCSE which does include the greats 1984, Romeo and Juliet and Wuthering Heights. I simply hated the teacher (I don't use the word 'hated' lightly) who I still remember told us there were 24 letters in the alphabet and she once read “the sharp on the hill” rather than “sheep”. We had a battle of wills once over a copy of Tess of the d'Urbevilles. The pear which formed part of my packed lunch had squidged over the cover. She went mad and shouted at me to wash it. I thought this a little harsh as it was an accident and also a little stupid as books and water don't really mix. (I did tell her this). She shouted at me again and so I went and plunged the whole book into a sink full of water in the girls' toilets. I'm digressing.
One book you are currently reading:
I'm going through a short story phase. I've just read The Undiscovered Chekhov: Forty three new stories translated by Peter Constantine and have Michel Faber's The Fahrenheit Twins and Mick Jackson's Ten Sorry Tales waiting in the wings.
One book you have been meaning to read:
too many to list and I cannot choose just one. I have set myself the task of reading something by each of the authors mentioned in a section at the back of Moorcock's London Bone. Dedicated to Iain Sinclair it is simply titled: London's Lost Writers. Some mentioned are not lost or forgotten but the entire list runs to over 75 authors of which I've managed about twenty. I have a long way to go and some of the writers mentioned have been out of print for a good number of years.
One book that changed your life:
unfashionable now I know but Enid Blyton's Famous Five series and The Wolves of Willoughby Chase by Joan Aitken. I realised you didn't have to be a “girly girl” like Anne or Sylvia but could be brave and adventurous like George (Georgina) or Bonnie. What a revelation!

I was left feeling deeply unsettled after reading an article in the newspaper last week:
Health inspectors are to crack down on beauty clinics in England after evidence emerged that women are being disfigured by rogue operators offering improperly administered laser therapy, Botox injections and anti-wrinkle skin fillers, the Guardian can reveal. (Continued here).
My first reaction was to harrumph and blame the women for being stupid enough to want the procedures to start with. I subsequently realised that throughout the article the author was referring to 'health inspectors', 'the Healthcare Commission' and 'people providing healthcare services'.
In my mind these procedures are the absolute antithesis of healthy. These are commercial beauty treatments, albeit drastic ones, carried out for immense monetary gain, masquerading behind this concept of health. Denial of the ageing process and the beauty myth are powerful bedmates. The womens' glossies and the lads' mags both perpetuate the idea that women should fit a very narrowly-defined idea of beauty and should you not have it (that'll be the majority of us) you can buy it. And, in so doing, you will show to the world you're a modern woman making empowering and liberating choices. Bollocks. This is not the sign of a healthy society.
The really scary thing is I seem to be in a clear minority with my opinions. Cosmetic surgery has become commonplace and mainstream without so much of a smoking bra let alone a burning one. I had to ask myself the question 'where have all the feminists gone?'. I feared the answer would be to the local lap dancing club.
After feeling quite depressed about the whole affair I started searching the world of blogs in the hope of finding some like-minded soul. On the f-word, home to contemporary UK feminism, I found mention of a new feminist magazine: Subtext.
I was dubious. I have never been scared to say I am a feminist but... Would this new publication be a little too extreme for me? Would they try preaching to someone who clearly believes that shaving her legs is a weakness but one she will continue to practise? Not at all.
The first issue of Subtext arrived this morning. I was a little unimpressed with the presentation but the content more than made up for it. I have read it from cover to cover. Twice.
One magazine, hoping to survive without advertising, is not going to revolutionise society's love of cosmetic procedures but it will mean I no longer feel alone and I will continue to speak my mind at the very real risk of ridicule.

I've had a truly fantastic day out and look like I have applied war paint to my nose and cheeks. My right side is redder than my left and as Colin pointed out once I'd made it home “I see your legs haven't changed colour”. They stay gloriously glaring white all year long.
Sketch for Hadleigh Castle circa 1828-9
The Gardener bought me a postcard on a visit to see Constable's monumental six foot canvases at Tate Britain on the understanding we would make a pilgrimage out to the featured Hadleigh Castle over the summer. I did expect to see the exhibition before undertaking the task but a phone call early this morning suggested the weather would be good for the walk and before I knew it we were winging our way to Benfleet. It was superb. We met few people on the footpaths yet the castle itself was teaming with life; mostly women picnicking with young children. A far cry from Constable's feelings of despair and desolation when he completed his masterpiece.
There was a very English feel to the landscape. Ash, hawthorn, kestrel, dragonflies and cows. The straw has been baled early due to the scorching weather. The sea in the background and strangely the distant chemical works.
Lunch was eaten at the Salvation Army tea house to the north of the castle. I loved the ordering system. You look at the menu and then fill in a pre-printed sheet with the quantities of what you want and the table number. You then pay at the till and the food is brought to you. The staff have various needs – from what I could tell Down's syndrome and different moderate to severe learning difficulties. The service was excellent as was my cheese and onion toastie.
A walk and a pint or two in Leigh on Sea followed by a crunchy seashore saunter to Chalkwell finished our day.
We've made an agreement to go back in the winter to see it from Constable's point of view. We'll see!
My dad rang Friday while I was at Borough Market to let me know he'd just heard on the radio that Tesco were going to reward customers who brought their own bags in which to pack their shopping. I think he thought I'd be pleased.
Bought new from Amnesty it doesn't have a beetroot stain.
'Christmas stocking' from Mum. Pound shop. Admired by the server in Neal's Yard.
Romford's Sunday Farmers' Market.
Perhaps a quarter of the way round the Museum of London's excellent exhibition, Satirical London , 300 years of irreverent images, I became alarmed by the level of childish noise emanating from the other side of the wall. I don't expect museums to be silent but there has to be a certain level of decorum. Shouts, screams, laughter. Wrestling? The mother is joining in! I kept passing glances at the porters but they seemed quite happy watching me to ensure I didn't try sticking a Hogarth in my rucksack. “Why are you not doing something?” I wanted to yell.
Hogarth was probably the reason I was there in the first place. I have a slight obsession with him and there was no conceivable way an exhibition on satire and London would exclude the master himself. The most famous of his prints were there – Beer and Gin Lanes (along with others). These two were cleverly updated in 1965 by Ralph Steadman in Private Eye and more recently as Cocaine Lane by Martin Rowson (2001).
I think this is what struck me most about the exhibition. Although London has visibly changed over the years – you'd be an idiot to think it hasn't – there are still so many links to the past. People.
Progress may have changed life to the extent that someone dropping by from Georgian times would not recognise life at all from a first glance but on closer inspection so much of the human condition remains the same.
George Cruikshank's The Art of Walking the Streets of London (1818) illustrates this admirably. How to carry an umbrella – by poking everyone in the eye – and how to stop up the passage – by standing in the middle of a very busy street - are just two examples but I defy anyone to say they haven't experienced the very same on Oxford Street over one hundred and fifty years later.
I had to laugh at myself when I got to the end. Just past the Spitting Image Charles and Di slippers was a table with paper and crayons to create your own piece of London satire. Behind it a rack of Punch and Judy style puppets to create your own show. To scream, to shout and to wrestle. Just glad I'd managed to keep my mouth shut about the noise.
(It's free!).